mellys uses striking kicks. sobre and efficient his sounds are physical and brings a natural born good feeling on the dancefloor. the a-side is all about that, a powerfull dancefloor 180 bpm fat confort. his selectas of friends tunes on b-side is exactly on the same scale. format c brings an obsessing hardtek oldschool tune while zside brings a superb dancefloor track as well. honstely this is a total sticking 100% to the peur bleue sound style. digging for more collab! and very awaiting playing this record for real on the dancefloor!

kito jempere will be a new name to many with only a handful of productions and remixes under his belt but that’s the way we like to do it here and were proud to play a small part in helping introduce his production prowess to a wider audience. the st. petersburg native came to our attention following an invite for jimpster to play at one of his legendary outdoor summer parties in his home town. a friendship was born and when the brilliant demos arrived in the mail, it wasnt a hard decision to agree to release them

the fat dog label returns for its second outing with yet another confident four tracker designed for both the head and the feet. the proceedings begin with the sublime moonrunners. introducing contributions from new artist spooner, the production duo use their hardware to take us to the very craters with this bubbler of emotive deep techno with dissonant house touches, d link (fat dog & ny*ak) continues the basement feeling with urnogud4me, albeit at a slower tempo but still keeps the floor burning with an unsuspecting, intense voodoo-house mystery. this is raw club music. side b we head straight onto a greasy dance floor called werk. lush pads intermingle with breathy flute stabs while the building groove consistently nags attention from your feet. stop teases us back onto the slo-mo dance floor yet again with another scorching deep house groove for the hips with a subtle funk to be desired at the disco as well as the deep room. limited copies!

the >baumgartner< release marks the third solo ep by van bonn after his >maserung/schwerpunkt< and >onwards< on telrae in 2012. so it was high time for another solo release with him. his new track is again a timeless classic, gracefully flowing without much of an interruption, it is his most melodic release up until now. the track is nevertheless very much detached in style from what van bonn has released solo and together with stefan gubatz on telrae. the track is at ease and at the same time connects to a feeling of melancholy. marko fürstenberg wrote the remix on the flip side transforming the original into a tight and bass heavy dub track. marko breaks with the flow of the original and creates a much more rigorous dance flloor rocker that introduces one element after the other. this is not for the weak and for bass lovers only!

gone too long from rising duo him_self_her is a bonafide bomb - house with feeling and a massive bassline and killer vocal from kieran fowkes. reinvigorated by crosstown rebels for a re-release after it came out on mexican label cream couture last year, this time the infectious original comes backed with remixes from belgian hero compuphonic, who injects more bounce, bleeps and emotive melody and the mighty yousef whos darker circus rework is a deep affair of rolling drums and dubby textures

the mosso imprint presents the newest addition to its catalogue. the fifth episode of the series features two newly picked, slow-­&#8208,,,,,,burning numbers. reporting alejandro mossos further travels on the fine lines drawn between awakened reverie and inspirited groove, this new record could also be considered as an adroit demonstration on how to preserve delicacy in splendor. as >islote< was slowly taking its final shape in the few weeks preceding the records mastering, alejandro mosso decided to pull. >arrecife< out from his unfinished archives. it is a beautifully stern and steely work, presenting the slow development of the main lead, giving it space to gradually appear from the fine selection of uncanny percussions and steadily met by its accentuated twin. a damper invitation to look within. on the flip, >islote< begins with a selection of colourful drums, not unfamiliar to mossos usual escapades. however, spreading itself like a most complex delicacy, the apparent sweetness of this distinctive title soon gives way to a rugged melody. conveying a sharp yet cloudy feeling, this b-­&#8208,,,,,,side is located somewhere in the middle of a soft longing and bluesy bliss. mosso places the listener into the near isolation of an island, that is still anchored to its continent. needless to say, his magic is once again well at work.the mosso imprint presents the newest addition to its catalogue. the fifth episode of the series features two newly picked, slow-­&#8208,,,,,,burning numbers. reporting alejandro mossos further travels on the fine lines drawn between awakened reverie and inspirited groove, this new record could also be considered as an adroit demonstration on how to preserve delicacy in splendor. as >islote< was slowly taking its final shape in the few weeks preceding the records mastering, alejandro mosso decided to pull. >arrecife< out from his unfinished archives. it is a beautifully stern and steely work, presenting the slow development of the main lead, giving it space to gradually appear from the fine selection of uncanny percussions and steadily met by its accentuated twin. a damper invitation to look within. on the flip, >islote< begins with a selection of colourful drums, not unfamiliar to mossos usual escapades. however, spreading itself like a most complex delicacy, the apparent sweetness of this distinctive title soon gives way to a rugged melody. conveying a sharp yet cloudy feeling, this b-­&#8208,,,,,,side is located somewhere in the middle of a soft longing and bluesy bliss. mosso places the listener into the near isolation of an island, that is still anchored to its continent. needless to say, his magic is once again well at work.

somethings are just done better when they are done together and the same can be said about soul button and sasch s latest collaborative work unfold . the two steyoyoke men have come together to show just how passionate they are about producing music that is rich with feeling and emotion.

wir feiern die fulminante rückkehr von hip house. für eine solche standen die zeichen schon seit einiger zeit sehr gut. denn jener mitreissende sound, der ende der achtziger house und hip-hop verbrüdert hat, setzt schließlich immer noch die tanzflächen in brand und sorgt dort für herrlich unkontrollierbare schübe von euphorie. für >work it out<, die erste single ihres neuen albums >behind the masks , haben sich snuff crew mit einem der pioniere und bekanntesten vertreter des genres zusammengetan: tyree cooper. der ist nicht erst seit seinem großen hit >turn up the bass< weltweit erfolgreich. bei >work it out< zeigt er sich nun wieder in bestform. markige raps, heftige grooves, schrille sirenen und wilde scratches sind die explosiven zutaten dieses stücks. und auch der zweite track auf der single wartet mit einem hochkarätigen gast auf. immerhin verleiht die bulgarische sängerin rachel row >new life< mit ihrer umwerfenden stimme pures house feeling mit gänsehautgarantie. passend dazu dringen piano und strings tief ins herz hinein

guerrilla soul is amir alexanders deeper alter ego. his first official release under that moniker is a tribute to elizabeth short, the black dahlia. she was a victim of los angeless most notorious unsolved murder back in the late 40s. deep, dark, moody, and emotive vibrations evoke a feeling of wistful melancholy. amir comes with 2 different perspectives of the same theme one on each side of the record. rhythmically moving with lush pads and a minimalistic, yet succinct bass line. deep and super deep are the flavours du jour

killekill 014 is being delivered by alex cortex. on the a-side hyperfocus combines a heavily distorted kickdrum with uplifting trance chords and a breakbeat feeling as if this was the most normal thing in the world. the result is an outstanding anthem that can be used on all floors, whether they are techno, house or breakbeat.by force of attrition is a typical alex cortex-track, driving and static at the same time, slowly moving, hypnotic and deep. the b-side features a remix of hyperfocus by skudge. the swedish duo recently released an ep of alex cortex on their label skudge presents and in return remix this track here for killekill. they extract the breakbeat sounds of the original and use them for a warm minimalistic house tool driven by a smacky wooden snare.

mr raoul ks beats blend in very slowly and do not take over until the very end. close your eyes on the dancefloor and find yourself exploring the secrets of the unknown, feeling the real esprit of the jungle

the next release on discovery recordings comes from catamaran, a young nyc based producer whos been coming to the parties and feeling the vibe. he sent us some really tite demos and we got in the studio to make them titer. the tracks are infused with the life of the city - from jackin house to lush rhodes grooves. we all love fort romeau, so we had him do a remix that takes the sound across the pond. 500 copies, hand stamped, vinyl only.

with the cosmic rays of his twice around the sun long player still reverberating around our souls, guillaume (our favourite of all the coutu dumonts) is back with a fresh ep of rich and otherworldly house music perfectly pitched for the free-spirited feeling of the summer months

dubby techno and house with a huge detroit feeling and a remix by the legendary mikkel metal.

andres zacco & cape, two old friends and part of the esperanza family come back to the label to deliver a two track ep full of deepness and dubby yet summerish feeling. melodies, pads. chords, strings... just perfect to watch the sun rise from the sea on the beach.

cabaret voltaire, eine der ersten wichtigsten bands die jemals pop mit elektronischer musik mischten und ursprünglich der dada bewegungen entsprangen veröffentlichen eine lp (+cd) re-issue ihrer vielleicht besten platte *red mecca* auf mute! ursprünglich im september 1981 erschienenen, ist dies das letzte album der bandgeschichte auf dem gründungsmitglied chris watson mitgewirkt hat. cabaret voltaire wurde 1973 in sheffield von stephen mallinder, richard h. kirk und chris watson gegründet und zählen heute zu den pionieren elektronischer musik zwischen industrial, dadaismus und techno.
erscheint als 180g vinyl + cd!

the groundbreaking verve remixed series is back with verve remixed: the first ladies, set for release july 16th on verve records. the all female compilation features 13 classic jazz tracks remixed by some of todays most acclaimed djs and producers. billboard has called verve remixed “one of the most successful brands in dance/electronic music” and it is considered by many to be the best remixed series of all time.

tone control music proudly introduces thatmanmonkz 2nd ep, overproof. this follow up to debut ep, the man continues monkz exploration into detroit, disco and soul influenced deep house. lead track, overproof takes mid-tempo, modern boogie from soul into darker territories, while right on gives a nod to detroit old and new, before closing out in percussive yoruba style with long time vocalist collaborator, pete simpson. throughout this ep thatmanmonkz utilises his mpc, rhodes, bass guitar and a multitude of synths to raw, rocking effect. martin atjazz iveson lends his hear on mastering duties to complete another solid ep in the series.

sometimes known as leandre, sometimes known as lee andre. the vibe remains consistent throughout with this jet setting house dj and producer whose blessed take on the twin cities of house music (chicago and detroit) has graced lefreq, loft66, minimalizm, house is a feeling. now very much a part of the vibes & pepper family, andre takes care of the labels sixth release with the backup ep with first editions of vp006 arrive with a thick slab of 180g wax. from the off, andre is in classic deep house mode, pairing crisp percussive grooves with warm keys and chords.

2013 repress / release number 6 from our label brings us oscar muleros latest work, proof that the new sounds hes experimenting with do not constitute at all a departure from his command of the rawest side of the purest techno. horses, oscar muleros new ep, takes us back to the mulero that the majority of the public will recognise, to the overwhelming sound that has led him straight to the top over the past two decades. the record opens with like a wolf: broken drum beats, sharp hats, fm basses and dynamic white noise drones whose energy never falters throughout the track. horses, the second track, gives the record its name and offers intricate rhythm programming, dark atmospheres and acid sounds that, as a whole, create a mental and hypnotic feeling. the closing track is in a silent way, which runs along similar lines to the previous two, but with less bpms and with an obsessive sequence that mutates and develops throughout the track leaving the listener with a mills aftertaste, but with a berliner touch.

- nonice02 from noel xiv. with only one track this 7 inch vinyl single is a pure bid
- one track with 100% summer feeling
- limited to 150 copies
- handstamped , one-sided, printed cover

dbc return with 3 more killer classics reworked for the dance floor.
- dj support: dave jarvis, sleazybeats, frank booker , phil cooper , craig smith, yamwho? & more

3 tone dorsal fin, a new international band from berlin is pleoavcee from san diego, djcksatron from dallas, nora lune from switzerland and the producer count frankula also known as frank muller or beroshima: glistening is a tingling feeling in the skin as well as being perceived by sight or the hairs in your ears. perception of a sensation throughout our whole body - says the artist. lets see. listen up. or glisten up! all introduced by a distorted pitched alien space child rambling incoherently until shaken up by hesitant laughter. raps that rhymes euphemism with hypnotism and swagging with lagging better be good.

the ever elusive duo, flight facilities, will release their new single i didnt believe on may 7th (north america) & may 8th (australia & rest of world) 2013. alongside the tandem production outfit, alexander burnett (of sparkadia) & marcus browne share songwriting credits and bring a silky pop feeling to the song. it comes complete with a remix package, including another world-renowned secretive disco duo tiger & woods, new york based label owner lou teti (tigers on a leash) and studio buddy light year.

new sheffield label shabby doll records makes its debut with nails donks ep. nail is nottingham-based neil tolliday, a producer who spent the last decade creating deep downtempo joy as one half of bent – their debut album *programmed to love* helped ease the worlds ills back in 2000. now, with love for nails solo manoeuvres truly reignited, sheffields shabby doll label is taking the next step with his first new solo material for years. called donks, nails new four-track ep showcases his flawless dancefloor instincts: there is something deliciously seductive about this early hours charmer. one to play when things are getting wonderfully weird… and finally, never4gedit brings back the sunshine with some sweet, melody-flecked disco. with nails vintage house output currently proving to have real staying power, lovers of real british house music eagerly await his new tracks. so if you have got a dark room and a feeling, let nail, shabby doll and donks add a little magic to the night.

ron costas brand new ep for trapez features the tracks >bazis puzzle< and >fraaz<, which show his liking for the borderline of house and techno. >bazis puzzle< is a bassline heavy groover that swoons with its kinetic catchiness and polyrhythmic drumming. it is really the amazing sound design, funky and ear catching leads, coupled with sophisticated arrangement that make it a soulful experience for dj and clubbers. >fraaz< is a mesmerizing polyrhythmic dj track, a rhythm rocker, with a fantastic stop and go feeling, a track that constantly builds up tension and releases it in its sensual breaks.

while awaiting the upcoming album scheduled for september, a first maxi with the sweet title daniel will have you watering at the mouth! deluxe wants you to discover, starting on the 13th of may 2013, the first three titles from the album and, as a bonus, a remix by chinese man of one of these songs... a family remix symbolizing the vitality of the chinese man records label!
daniel, once again, the name of the first supercharged song of the disc, is a wild ride on which mc youthstar joins the group for a track that exudes the energy of live performances and the madness of the groups last tour! in bleed on we find the incredible funky feeling that delighted fans with deluxes first ep, catchy melodies, 70s brass sounds and a sense of groove that has become unstoppable. reflecting the promised diversity of the album, the last excerpt of the maxi, pretty flaws, surprises the listener with its melancholic atmosphere and emotional charge that emerge as a symbol of the groups desire to continue experimenting with sounds and styles.

second pazul release on ursl! incl vinyl only track

nice price deal !!! finest minimalistic groove & kick monsters! only for djs. the colombian duo jose m. & tacoman have recorded on top labels like material, area remote and sphera records and have written three tracks for trapez ltd now. >what are you watching< is a tricky traxter with a cool swing programming to keep you happy on your feet and moving. this is very much a beat track but has an outstanding groove that makes it so special. raw and streetwise it makes sure things are always going fine. one of these tracks that are loose and tight at the same time. a perfect alliance.>warehouse< seems at first less funky but convinces with an hypnotic aspect and a congenial feeling to it. >kick this< is similar to >what are you watching< a strong groover with sounds in the background and a catchy vocal line. all three tracks are cool and perfect for groove addicts.

an entirely new label with fresh artists from any direction. both tracks compiled on this release are deep and spheric in their mood, similar in style, but rather different and special in their shapes of individuality. the a-side delivers a slightly straight and powerful track from alma. carried by soft moog-basses and playful spheric breaks in addition to an authentic summer groove it is definitely suitable to create open-air feeling - a glistening interpretation of a green morning. gebby dibson contributed an emotional and slow house production to the b-side of this release. in so doing, they patterned pretty versatile varieties of electronic styles. in this case its hard to classify, but joyful to listen to… just beautiful.

the mysterious duo strangers in heaven strike back on souvenir! after their first highly acclaimed release last year and their remix of souvenir bosses, tiefschwarz, the boys return with a strong two tracker. first track, set me free, is a deep groover which features jonny cruzs incredibly melodic voice. the same track gets a decidedly deeper once over from none other than, eric volta (ellum, visionquest). on the flip, the future is a miami bass vs. techno tune with some real old school house feeling injected into it, featuring the unmistakable voice of the wondrous navid izadi(wolf+lamb, soulclap).

in the current flood of edit labels and releases, legendary sound research are among the few pursuers of quality left. the second installment of the legendary edits vinyl series compiles the hardest working edit arrangers of the past couple of years: alkalino, rayko, jimmythetwin and label owner, the legendary 1979 orchestra. tracks that you might know take an entirely different form and vibe and tracks that you never heard before are ready to make dance.

emanating from japan, and discovered by erid d (of rub n tug fame), these re-edit masterclasses would never have gotten outside of their native market. luckily a helping hand from one of nycs most hyped party throwers has guaranteed a wider audience! as they their penultimate release in the alphabet themed series, we are treated to another duo of uncompromising and dancefloor ready edit delights.

after the great release from label owner samann, traxx underground is proud to serve you a name that all of you will know for sure nys finest a guy from new york who did many releases in the 90s with different alias (victor simonelli, cloud 9, groove committee ect) one track among the strongest do you feel me. back now after 20 years with these three sensational tracks.
pressing on 170 gram vinyl.

paxton fettel intrinsically invites you to the very core of his soul with mana, a heart wrenching ode to suave and unassuming house music. real instruments and penetrating decisiveness serve an emotionally rendered piece of the blues, perpetually enticing mood binding empathetic maneuvers. paxton orchestrates feeling with musicality well beyond the average clique, despairing yet hopeful, slickly jazzed and upfront drumming produce a mad example of what he is capable of pulling off/straight out of copenhagen we get treated to yet another fine instance of a paxton fettel classic with they go unseen.

ms. smooth socal soul meets mr. nocal dirtybird swagger and they have a baby together. that baby is justin jay and at 19 years old he is already making his 3rd appearance on dirtybird. i have a feeling this is justin jays breakout record. the a-side static is at 119 bpm and will sweep you up then rip your pants off. but even when you get hit with the massive bassline, an old school anchor stays intact. waves b-side has a classic deep dirtybird feeling, with tuned 808s and a surprising melodic element showing off the sweeter side of this up and coming young gun. justin jay has more potential than anyone i have heard in a while and if he continues to play like he has been lately, he has a long dj career ahead of him as well.

it is not a test, it is energetic driven techno from the very talented ukrainian techno producer positive merge! ravine gives you industrial feeling with a broken beat. completed is the ep by two grandiose remixes from perthil & aerts.
support by audio injection, clouds, tim xavier, slam, berk offset, lado, mentalic, mule, dinamoe, tanaka hideyuki, zak, ascon bates ...

after a string of releases under different pseudonyms, shades is truly excited to announce dan white’s first release under his own name, simple pleasures. influenced by the lush melodics of early kompakt releases, the playful grooves and all-out pop sensibility of dusky & booka shades output, and the edgy, detailed electro of pioneers like the the hacker and alexander robotnick, this bold four-tracker of emotive tech-disco is progressive & modern, yet packed full of feeling.

stuntman mike cars soundtrack is the first various artist compilation on troubled kids records. we are proud to present four new awesome tracks to celebrate our 10th release. life recorder, trevor deep jr, ricardo miranda, jesus gonsev & the troubled kids gang (who are tito, jairo sanz & the nearly man) are the brilliants artists who made it possible.
so play it louder when you are driving round the highway! of course stay alert at your rearview ... stuntman mike is out there and he want to recover his soundtrack ... you are advised partners!

2020vision mark their 250th release with a very fitting project from the originator of the label ralph lawson. lawson presents a selection of classic mixes and unreleased gems produced alongside his original production partner carl finlow.

from detroit third wave producer sean deason comes a new release, detroit city ep. featuring 3 cuts that will showcase sean deasons full range as an artist. detroit city is a cut with lots of energy. detroit city 5am brings a deeper vibe, while the drive home features a deep detroit inspired feeling

sophistication and elegance have not always been the strobe light honey for die-hard divers into the dance genre, but it has been octo octas strongest suit since his 2011 debut 12 inch on 100% silk, and here again are those initial ideas of identity and hunger for intimacy all leading to an adrift, uneasy feeling, only they have materialized into that instantly recognizable, authentic oo sound.

the first release from under bron recordings highlights a firm and direct feeling, like being seduced and sharing something personal with somebody new, the a side showcasing a mixture of dialogue and trust. keeping a steady house groove and pace, sounds in the grass inspires the dust from the ceiling at your local warehouse to come down to the ground again, while waiting to exhale turns to the conversationalists standing by the bar or on the outskirts of the dance floor. delroy edwards (l.i.e.s.) remix on the b-side expands the wrd horizon and brings in a different blueprint, where swirling sounds combines the track into a beautiful palette of youth and decay

frole records presents the second vinyl release, this time a producer from the netherlands. detache is a young producer influenced by detroit, deep house and modern techno. u010011 is the typical detroit track with an undoubted feeling to it. featuring a dubby atmosphere, playfull synths & dreamy pads. the remixes are made by anonym (sushitech and francesco bonora (abstract theory) & mirko (etichetta nera) who are staying in this dreamy realm. the track is made at a lakeside which is portrait by the artwork. valley of shadows is a deep track that is characterized by the dub sound from berlin. a solid tune full of deep chords and pads that transcends the mind.

excellent hypnotic house groover !!
new yorks borned and raised fred peterkin needs no introduction to the electronic music, world. having released on labels like underground quality, strength music, mule electronic and his own soul people music, ahd welcomes him after being fans of his music for years already and this ep is no exception to his extreme and unique quality. *reach* on the a side is a total dancefloor burner. one of the best tracks we have heard lately. keeps building from start to the end, having the peaking point when the arpeggio comes up fading in at the middle of the track. b side, *in the blue*, is the deep cut of the record and its a perfect example of freds dubby and warm feeling. check it out

antigone is an artists coming from the depth paris producing and digging for several years now. the three tracks are a travel in to different style of techno with the intention to reach a certain emotion that is close from nostalgia and really deep feeling. the challenge of this work was to find a good balance between sound and colour, focusing on an old sci-­&#8208,,,fi landscape. with a really mature perception this young artist is developing his own sound, a detroit atmospheres, openly characterize this ep, but it remains antigone work at the end with all his sense of details and perception.

california analog dream is the new single taken from the vondelpark debut album seabed. tracing the sonic history of the song from initially being a highlight on the bands debut ep sauna to inclusion on the debut full-length, feels like uncovering the story of the band that produced it. on the songs initial version rainsburys voice kept you at arms length. on seabed his vocal take draws you in, feeling magnetic and intense. it is on this song in particular that you can really mark the changes that vondelpark have been through over the past 18 months of recording. rainsbury describes seabed as a coming of age record, and that is something that could just as easily apply to the impressive transformation vondelpark have made during its conception. on remix duties is fellow r&s artist bullion who always delivers the goods with his remixes and productions, on this mix he seems to be channeling a funky lower east side new york vibe, circa 1979. next up are dfa artists factory floor who deliver a signature industrial acid workout perfect for the dancefloor. pressing on white vinyl.

exploitation is the new film by dutch independent filmmaker edwin brienen. enfant terrible produced the soundtrack for this gothic-noir satiric fresco. 90 minutes of music to be enjoyed both as true soundtrack as well as a sequel to previous enfant terrible compilations... but more dramatic and ritualistic in the way the record is building up. it will please fans of minimal electronics and (post) industrial music but also moves into different styles such as idm, tekno, angst pop and chanson, while always keeping a dark and cold mood and/or dream state feeling throughout... limited edition of 250 copies!